Jeremy Siepmann

Classics Explained: Ravel - Bolero and Ma Mere L'Oye (Smillie)

Jeremy Siepmann

80 CANCIONES • 1 HORA Y 37 MINUTOS • JUL 16 2001

38
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Further Reprise of Phrase 2, now on violin, accompanied by harp
00:40
39
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Pavane (complete)
01:41
40
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Petit Poucet (Tom Thumb)-Introduction; Opening, with multi-metre rising scales from muted violins
00:49
41
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Change of metre continue as solo oboe introduces Theme One
00:24
42
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Oboe yields to Cor Anglais for Theme Two, against lower (still muted) strings
00:44
43
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Theme One returns, shared by clarinet and flute, muted horn added to accompaniment
00:25
44
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: 'Motto' rhythm dominates as intensity increases from lower strings to full orchestra
00:46
45
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Fear subsides as Theme Two returns, again in Cor Anglais but now in a different key
00:32
46
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Sensational sound effects evoke a wood at night, with screeches, cuckooing etc.
00:44
47
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Texture thins; Theme one returns, delicately scored for strings and piccolo
00:19
48
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The main part of movement ends, with waltz-like march(!), featuring flute
00:28
49
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Petit Poucet (complete)
03:28
50
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes-Introduction; opening bars, followed by Theme One
02:00
51
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Oriental-orchestral equivalent of an imprial telephone bell
00:15
52
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: ... oboe ' answers ' with a very slightly varied version of Theme One
00:15
53
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Expanded derivative of the ' telephone bell ' interrupts the theme again
01:00
54
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Fragments of theme in flutes and cor anglais, with ' James Bond ' tag in violins
00:24
55
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: 'Gamelan ' music from flute and piccolo, accompanied by harp, xylophone and strings
00:32
56
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: arrival of Empress; upper strings yield to winds, celeste, harp and (very discreet) gong
00:47
57
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes (complete)
03:57
58
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete- opening
00:51
59
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Characteristic pattern of two short phrases answered by a long one
00:36
60
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Clarinet, flutes and violas, with ' sighing' figure derived from downward string motif
00:21
61
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Varied reprise of opening, entry of the ' Beast '; ' Watch it ! Watch it ! '
00:32
62
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Again the ' Beast ' growls; again the cautious warning ' Watch it ! ' from the winds
00:40
63
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Derivative of Beauty's Theme from flute, combined with ' caution motif ' in strings
00:38
64
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: ' Beast's theme ' rises in pitch with each successive ' gowl ' (representing hope?)
00:52
65
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: ' Beauty ', ' Beast ' and ' Caution ' motifs all combine simultaneously
01:12
66
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: ' Beast ' (contra-bassoon) climbs ever higher, handing over to bassoon proper
00:49
67
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Harp's upward glide heralds the moment of transformation; love song, fear, release
02:09
68
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete (complete)
04:14
69
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Le jardin feerique-Introduction; Opening bars are unfuuuuuuuuurled by the strings alone
00:40
70
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The rhythmic basis, and its guises. First, a question: ' Where went my childhood?'
01:23
71
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The question intensified:' Oh where went ... my childhood?'
00:15
72
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The answer, with a falling inflection: ' Gone is your childhood.'
00:20
73
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The plea: ' Bring back my childhood!'
00:14
74
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The response: ' Seek in ... your mem'ry. There it ... will be.'
00:25
75
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Ravel's use of tone colour to change the feeling of the music
00:49
76
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Further illustration of the same point
00:27
77
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Continued
01:44
78
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: The nobility of the strings
00:45
79
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Bells evoked by French horns; the final, opulent, moving climax of the whole suite
01:11
80
An Introduction to … RAVEL: Bolero and Ma Mere L'oye: Le jardin feerique (complete)
04:00
℗© 2001 Naxos