This episode was written using the following references:
- Eksteins, M. (1980). War, Memory, and Politics: The Fate of the Film All Quiet on the Western Front. Central European History, 13(1), 60-82.
- Eyman, Scott (2005). Lion of Hollywood: the life and legend of Louis B. Mayer (Ied.). New York, United States: Simon & Schuster. P. 117
- Holden, A. (1993). The Oscars: The Secret History of Hollywood’s Academy Awards. Little Brown and Company.
- Grainge, P., Jancovich, M., & Monteith, S. (2007). Film histories : an introduction and reader. Edinburgh: Edinburgh University Press.
- Kelly, A. (1997). Cinema and the Great War. London: Routledge.
- Koszarski, Richard. (1990). An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928. New York: Scribner.
- Paris, M. (2000). The First World War and popular cinema : 1914 to the present. Edinburgh: Edinburgh University Press.
- Robinson, D. (1968). Hollywood in the Twenties. London: Zwemmer.
- Salt, B. (1992). Film style and technology : history and analysis (Second edition.). London: Starword.
- Suid, Lawrence H. (2002). Guts & Glory: The Making of the American Military Image in Film. University Press of Kentucky.
- Thompson, Frank T. (2002). Texas Hollywood: Filmmaking in San Antonio since 1910. Maverick Publishing Company.
To learn more about Hollywood’s representation of the Great War, watch:
- The Big Parade (1925) dir. King Vidor
- What Price Glory? (1926) dir. Raoul Walsh
- Hell’s Angels (1930) dir. Howard Hughes
- The Dawn Patrol (1930) dir. Howard Hawks
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